I'm not sure if 'line in the sand' is quite the right term to use when talking about the new album from Greet Death - but it's certainly a new chapter. Their first full-length in six years, the album comes after a host of
I stumbled upon John Moreland last year - highlighting his incredible Visitor LP in our end-of-year Curious Listening zine - with the caveat that I had no idea if he was a dusty cult voice hidden away in some Oklahoma bar room or a long-established veteran of the scene. I
I'm sitting at a new window as the sun is starting to set. Warm spring air is rolling in like summer. My laptop is perched on the windowsill and I'm still learning how the light lands in this house. In the couple of months since I
We were closing in on four years since the release of Ada Lea's previous album, the quietly enigmatic one hand on the steering wheel the other sewing a garden LP. In the time since, Alexandra Levy went back to school to study painting and poetry and also started
I spent last week on holiday (hence the absence you may or may not have noticed), a few days away exploring somewhere new, all winding alleys, green mountains and sticky heat. A place outside of time. In that oddly-shaped gap between going and coming back - airports at night, woozy
soft sounds for a soft spring. available now via mixcloud. tracks: 22 run time: 1hr 28mins tracklist: common holly - aegean blue strawberry guy - birch tree florist - shadow bloom the marias - only in my dreams bonny doon - part of me men I trust - heavenly flow
So much of life now is spent trying to wrap my head around unfathomable passages of time that just don't make sense. GoldFlakePaint will be 15 years old next month, for one example. Carrie & Lowell came out ten years ago, for another. As such, it's
I'm not sure why it took me so long to listen to the new Men I Trust record. Sometimes life just slips past. I finally played it today, its sweet sounds filling the flat like evening light s I wandered around tidying, preparing dinner, small acts in the
"This is a hard song..." Bells Larsen says with a tut, his voice held in the quiet static surrounding the recording of 'Might', the closing song on the forthcoming Blurring Time LP. It's an earned quiet, a gentle moment of calm in what'
There's not a day goes by when an email doesn't drop into the GFP inbox offering an artist who, we're told, will appeal to fans of Sufjan Stevens. Hudson Freeman was one of those, but the other comparisons cast that link in a different
Ah, beautiful restraint. Perhaps the most powerful thing of all. Take an eight-piece, able to burst in full sound and colour, add a collaborator who can do the same so wildly and so often – and then hold it all back. Keep it simmering under cloud, behind peeling layers, sharing just
It doesn't matter much in the grand scheme of things, I guess, but it's always impressive to see a "Written, recorded, performed, produced, and mixed by..." note on the bottom of a Bandcamp page. Especially when the associated songs sound as beautifully (complex, weightless)